In June 2004, the jury of the VI Bienal de Fotoperiodismo gave a prize to the work Mexicaltzingo comunidad en rebeldía by Giorgio Viera. One of the photographs contained in the essay Alma en la azotea generated an intense polemic as by many it was considered plagiarism, posed and therefore false. Others considered that its transcendence and expressive force could not be judged as false or true. The debate made evident the urgency to clarify the meaning of truth, credibility or reality when talking about images and their relation with ethics. The catalogue of the biennial integrated a series of texts related to this old problem. This anthology includes some of those articles.
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Spa Corrida De La Prensa This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references,…
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